3632/Reblog
From Fata Morgana Series by André Gelpke, 1965-2004
“Fata Morgana” suggests a fundamental relationship between photography and eroticism, their establishment in the finiteness, their inconvertible striving after an eternity of a moment that consciousness simultaneously fulfils and obliterates in the triumph over time; a promise that ultimately only death is able to honour. The pushing of the shutter release is like an orgasm “une petite mort”.
-Martin Jaeggi
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